Architecture

China's architectural history stretches back more than 3000 years, mak- ing it one of the longest of any civilisation. Many different materials and finishes can be seen throughout Chinese architecture - wood, rammed earth, masonry, stone, thatch, tiles, plaster and paint. Its use depended on function, cost, availability and aesthetics.

HISTORY

Few structures survive from before the 8th century AD. Many early build- ings were constructed in wood, which has long since disappeared, with more durable buildings often destroyed by war. Much of what is known has been gathered from references to building in literature, song and artwork.

Until Qin Shi Huang became first emperor around 220 §£§³ and unified China under a centralised system, there was no such thing as a Chinese national architecture. Under Qin Shi Huang's rule large and impressively decorated structures were built. This period saw the beginnings of what would later become the Great Wall.

It is from the Tang and Song dynasties that the first surviving structures appear. Buildings were painted in bright colours, with great attention to detail. When the Mongols ousted the Song in the late 13th century, they contributed little of their own culture to architecture, instead choosing to imitate and rebuild the style of the Chinese.

Beijing was the long-standing capital during the Ming and Qing dynas- ties. The Forbidden City (p110) showcases the architecture of the time. In it we can see the epitome of traditional Chinese architectural ideas of monumentality and symmetry, with strong use of colour and decoration.

WESTERN INFLUENCE & MODERN ARCHITECTURE

China had early contact with  foreign  traders along the Silk Road, but it was not until the establishment of Western trading headquarters and banks in the late 18th century that a colonial influence in architecture made its presence felt. The Portuguese, Germans, British, Dutch, Spanish and Russians, among others, established communities and constructed buildings using foreign architects and Chinese craftsmen.

It was not until the 20th century that  Chinese architects  designed Western-style   buildings  themselves.  Buildings  with  sleek,  clean   lines, flat roofs and materials such as steel and glass had appeared in Shanghai by the  1940s.  There was  for  some  time  a  push   to  revive  the  tradi- tional Chinese style,  but this proved uneconomical and was eventually abandoned.

The   1990s  especially  saw  China  drawing  up  an   increasingly  ambi- tious building agenda.  Beijing,  in   particular,  is being transformed  for the 2008 Olympics and losing much of its traditional architecture. With so many construction projects currently under way, it's uncertain what China will look like in the not so distant  future.  Some cities, such as Lijiang (p666) and Zhouzhuang  (p250), have been designated   Unesco World Heritage sites and are good places to see China's few remaining traditional buildings.

RELIGIOUS   ARCHITECTURE

All Buddhist, Taoist and Confucian temples are built on a north-south axis, with the main door of each hall facing south. Beijing's  hutong  courtyards were traditionally also constructed on this axis. Most temples tend to follow a strict schematic pattern, depending on the faith. The shape of the roof, the placement of the beams and columns and the location of deities are all carefully placed following the use of feng shui (meaning wind and water), a complex cosmological system designed to create harmonious surroundings in accordance with the natural laws of the universe.

The exteriors of many temples in China look similar. However, Taoist, Buddhist and Confucian temples are all fairly easy to distinguish, once you know what to look for. Buddhist temples have  fewer images, except for statues of the Buddha, seated in the middle of the temple on an altar. Guanyin is the next most common deity you'll see, sometimes accom- panied by other bodhisattvas. Pagodas are common features of Buddhist temples, built to house Sanskrit sutras, religious artefacts and documents or to store the ashes of the deceased. A number of pagodas stand alone in China, their adjacent temples gone.

Taoist and folk temples are much gaudier inside, with brightly painted statues of deities and colourful murals of scenes from Chinese mythology. On the main altar is the principle deity of the temple, often flanked by some lesser-ranked gods. Fierce-looking temple guardians are often painted on the doors to the entrance of the temple to scare away evil spirits. Large furnaces also stand in the courtyard; these are for burning 'ghost money', paper money meant  to keep the ancestors happy in heaven.

Wutai Shan, Tai Shan, Qingcheng Shan, Wudang Shan and Putuoshan are China's famous sacred mountains and are excellent places to visit Buddhist and Taoist temples.

Confucian temples are the most sedate and lack the colour and noise Environment Korina Miller of Taoist or Buddhist temples. Not nearly as active or as colourful as their Taoist or Buddhist cousins, they often have a faded and musty feel. Their courtyards are a forest of stelae celebrating local scholars, some supported on the backs of bixi (mythical   tortoise-like animals). The Confucius Temples in Qufu , Shandong province,   and Beijing are very famous.

In addition to Buddhist, Taoist and Confucian buildings, Islamic architecture may also be found across China, most of it dating after the 14th century and influenced by Central Asian styles and often combined with local Chinese style.

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